Ê Ê Ê

Sound UbuWeb

Sexing Sound: Aural Archives and Feminist Scores Kathy Acker, I Was Walking Down the Street, 1980 Laurie Anderson and Julie Heyward, Song from America on the Move, 1979 Ida Applebroog, “Really, Is That a Fact?” 1982 Delia Derbyshire, “John Peel Presents Top Gear,” 1969 Disband, “The Sad Song,” From Tellus #3, 1984 Maja Jantar & Jelle Meander, “Spiegel van Alles I,” Live in Geneva & Brussels Alison Knowles, “Nivea Cream,” 1962 Language Removal Services, “Marilyn Monroe” Louise Lawler, “Birdcalls,” 1972 Liliput, “Split,” 1980 Kalup Linzy, “Chewing Gum (Remix)”, 2009 Annea Lockwood, “Tiger Balm,” 1970 Lydia Lunch, “What It Is,” From "Better An Old Demon Than A New God," Dial-a-Poem Meredith Monk, “Boys,” 2000 Bruce Nauman, “Good Boy Bad Boy – Jean,” 1985 Pauline Oliveros, “Alien Bog,” 1967 Daphne Oram, “Electronic Sound Patterns, Melodic Group Shapes 1,” 1962 People Like Us, “Reworking Daphne Oram, Daphne Speaks,” 2008 Raincoats, “In Love,” 1979 Marina Rosenfeld, “Emotional Orchestra,” 2005 Stereolab, for Charles Long, “How to Play Your Internal Organs Overnight,” 1995 James Gallery, The Graduate Center, CUNY (February 6- March 8, 2014) curated by Katherine Carl, Valerie Tevere and Siona Wilson. Playlist curated by Andrew Cappetta, Meredith Mowder, and Lauren Rosati. This playlist, prepared to accompany the exhibition "Sexing Sound: Aural Archives and Feminist Scores," includes experimental music, sound art works, and a few rock songs culled from the UbuWeb archive. The selected works center on the dual themes of "the voice" and "electronics," incorporating humorous plays on gender roles, feminist anthems, and experimentation with synths and early computers. The playlist includes pieces produced by contemporary artists, pioneering electronic musicians, poets, punk bands and vocal artists. Playlist curated by Andrew Cappetta, Meredith Mowder, and Lauren Rosati.