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Obscure No. 10: The Pavilion of Dreams - Harold Budd (1978) Bismillahi ´Rrahmani ´Rrahim (18:14) Alto Saxophone – Marion Brown Celesta – Richard Bernas Electric Piano – Harold Budd Glockenspiel – Gavin Bryars Harp – Maggie Thomas (2) Marimba – Howard Rees, Jo Julian, John White, Michael Nyman Two Songs (6:23) Let Us Go Into The House Of The Lord Harp – Maggie Thomas Mezzo-soprano Vocals – Lynda Richardson Butterfly Sunday Adapted By – Harold Budd Composed By – John Coltrane Harp – Maggie Thomas Mezzo-soprano Vocals – Lynda Richardson Madrigals Of The Rose Angel (13:47) Rossetti Noise Celesta [Celeste] – Gavin Bryars Chorus – Alison Macgregor, Lesley Reid, Lynda Richardson, Margaret Cable, Muriel Dickinson, Ursula Connors Conductor [Chorus] – Harold Budd Electric Piano – Richard Bernas Harp – Maggie Thomas Percussion – Nigel Shipway The Crystal Garden And A Coda Celesta [Celeste] – Gavin Bryars Chorus – Alison Macgregor, Lesley Reid, Lynda Richardson, Margaret Cable, Muriel Dickinson, Ursula Connors Conductor [Chorus] – Harold Budd Electric Piano – Richard Bernas Harp – Maggie Thomas Percussion – Nigel Shipway Juno (7:35) Glockenspiel – Gavin Bryars Marimba – Michael Nyman Percussion – John White Piano – Harold Budd Vibraphone – Howard Rees Vibraphone [Vibes] – Jo Julian Voice – Brian Eno, Gavin Bryars, Harold Budd, Jo Julian, John White, Michael Nyman Recorded At – Basing Street Studios, November 1976 Composed By – Budd* (tracks: A1, A2, B1, B2) Engineer – Rhett Davies Producer – Brian Eno An extended cycle of works begun in 1972. Bismillahi ´Rrahmani ´Rrahim from 1974 Two Songs from 1973-74 ""Let Us Go Into The House of the Lord" is a setting of a traditional hymn after a version by Pharoah Sanders. ""Butterfly Sunday" adapted from John Coltrane's "After The Rain" Madrigals Of The Rose Angel from 1972 Juno from 1975 was composed for John Bergamo; her mortal symbol is the peacock. RELATED RESOURCES: Obscure Records in UbuWeb Sound