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Jorge Luis Borges (1899-1986)
Jorge Luis Borges Main Page
Labyrinths: Selected Stories and Other Writings (Unabridged) (1964)
- Invitation by Wiliam Gibson
- Introduction
Fictions
- Tlön, Uqbar, Orbis Tertius
- The Garden of Forking Paths
- The Lottery in Babylon
- Pierre Menard, Author of the Quixote
- The Circular Ruins
- The Library of Babel
- Funes the Memorious
- The Shape of the Sword
- Theme of the Traitor and the Hero
- Death and the Compass
- The Secret Miracle
- Three Versions of Judas
- The Sect of the Phoenix
- The Immortal
- The Theologians
- Story of the Warrior and the Captive
- Emma Zunz
- The House of Asterion
- Deutsches Requiem
- Averroes' Search
- The Zahir
- The Waiting
- The God's Script
Essays
- The Argentine Writer and Tradition
- The Wall and the Books
- The Fearful Sphere of Pascal
- Partial Magic in the Quixote
- Valéry as Symbol
- Kafka and His Precursors
- Avatars of the Tortoise
- The Mirror of Enigmas
- A Note on (toward) Bernard Shaw
- A New Refutation of Time
Parables
- Inferno, 1, 32
- Paradiso, XXXI, 108
- Ragnarök
- Parable of Cervantes and the Quixote
- The Witness
- A Problem
- Borges and I
- Everything and Nothing
- Elegy
- Chronology
The classic by Latin America's finest writer of the twentieth century - a true literary sensation - with an introduction by cyber-author William Gibson.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life.
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