Books and Exhibition Catalogues

Anderson, Laurie. Notebook. New York: The Collation Center, Artist Book Series No. 1, 1977.

Anderson, Laurie. Words In Reverse. Buffalo: Hard Press, Top Stories No. 2, 1979.

Anderson, Laurie. United States. New York: Harper & Row, 1984.

Askevold, David. David Askevold (exhib. cat.). Eindhoven: Van Abbemuseum, 1981.

Axsom, Richard H. Parade: Cubism as Theater. New York: Garland Publishing, 1979.

Ball, Hugo. Flight Out of Time: A Dada Diary. New York: The Viking Press, 1974.

Barzun, Henri Martin. Voix, Rythmes et Chants Simultanes. Paris: 1913.

Battcock, Gregory, ed. Breaking the Sound Barrier: A Critical Anthology of the New Music. New York: E. P. Dutton Inc., 1981.

Beckett, Samuel. Collected Shorter Plays. New York: Grove Press, 1984.

Beckley, Bill & Connie Beckley. Performances & Installatie, Partituren / Tekeningen (exhib. cat.). Middelburg: de Vleeshal Middelburg, 1984.

Belton, John & Elisabeth Weis, eds. Film Sound: Theory and Practice. New York: Columbia University Press, 1985.

Beranek, Leo L. Music, Acoustics and Architecture. New York: John Wiley & Sons, 1962.

Bernard, Jonathan W. The Music of Edgard Varése. New Haven: Yale , 1987.

Block, Ursula & Christian Marclay. Extended Play (exhib. cat.). New York: Emily Harvey Gallery, 1988.

Block, Ursula & Michael Glasmeier, eds. Broken Music: Artists' Recordworks. Berlin: gelbe Musik and DAAD, 1989.

Bozzolla, Angelo & Caroline Tisdall. Futurism. London: Oxford University Press, 1977.

Brecht, George. Text zu einer Heterospektive von George Brecht (exhib. cat.). Bern: Kunstshalle Bern, 1978.

Burch, Kathleen, Michael Sumner & Melody Sumner, eds. The Guests Go in to Supper. Oakland: Burning Books, 1986.

Burnham, Linda Frye. Bob and Bob: The First Five Years. Los Angeles: Astro Artz, i 98o.

Burroughs, William S. The Ticket That Exploded. New York: Grove Press, 1967.

Burroughs, William S. & Brion Gysin. The Third Mind. New York: Seaver Books, 1978.

Butler, Ken. Hybrid Visions (exhib. cat.). Marylhurst: The Art Gallery at Marylhurst College, 1985.

Byron, Michael, ed. Pieces: an Anthology. Vancouver: A.R.C., 1976.

Byron, Michael, ed. Pieces: a Second Anthology. Vancouver: A.R.C., 1976.

Cage, John. WBAI: Materialfor Making a Mechanical Program. New York: Henmar Press, 1960.

Cage, John. A Year From Monday: New Lectures and Writings. Middletown: Wesleyan University Press, 1969,

Cage, John. Notations. New York: Something Else Press, 1969.

Cage, John. Silence: Lectures and Writings. Middletown: Wesleyan University Press, 1973.

Cage, John. M: Writings 67-72. Middletown: Wesleyan University Press, 1974.

Cage, John. Empty Words: Writings 73-78. Middletown: Wesleyan University Press, 1979.

Cardew, Cornelius, ed. Scratch Music. Cambridge: MIT Press, 1974.

Cardew, Cornelius. Treatise. Buffalo: The Gallery Upstairs Press, 1967.

Celant, Germano. Record as Artwork (exhib. cat.). London: Royal College of Art Gallery, 1973.

Celant, Germano. OFFMEDIA. Bari: Dedalo Libri, 1977.

Celant, Germano. The Record As Artwork from Futurism to Conceptual Art (exhib. cat.). Fort Worth: The Fort Worth Art Museum, 1977.

Chavez, Carlos. Towards a New Music. New York: W. W. Norton & Co., 1937.

Cope, David. New Directions in Music. Dubuque: Wm.C. Brown Co., 1971.

Corner, Philip. Popular Entertainments. New York: Something Else Press, A Great Bear Pamphlet, 1967.

Cory, Mark E. The Emergence of an Acoustical Art Form. Lincoln: University of Nebraska Studies, 1974.

Curnoe, Greg. Canada: Venice Biennale 1976 (exhib. cat.). Ottawa: The National Gallery of Canada, 1976.

Cutler, Chris. File Under Popular. London: November Books, 1985.

Darge, Moniek. Auto-Author. Gent: Logos Editions, 1986.

Davies, Hugh. International Electronic Music Catalogue. Cambridge: MIT Press, 1968.

de Ridder, Willem. RAG: Radio Art Guide. Utrecht: 1981.

Downing, John. Radical Media. London: South End Press, 1984.

Eisenberg, Evan. The Recording Angel: Explorations in Phonography. New York: McGraw-Hill, 1987.

Enzensberger, Hans Magnus. The Consciousness Industry. New York: The Seabury Press, 1974.

Essen, Martin. Mediations: Essays on Brecht, Beckett and the Art of Broadcasting. Baton Rouge: Lousiana State University Press, 1980.

Fontana, Bill. Satellite Soundbridge (exhib. cat.). San Francisco / Köln: San Francisco Museum of Modern Art / Museum Ludwig, 1987.

Fornatale, Peter & Joshua Mills. Radio in the Television Age. Woodstock: The Overlook Press, 1980.

Fox, Terry. Terry Fox (exhib. cat.). Berkeley: University Art Museum, 1973.

Fox, Terry. Metaphorical Instruments (exhib. cat.). Essen: Museum Folkwang, 1982.

Frith, Simon. Sound Effects: Youth, Leisure and the Politics of Rock and Roll. New York: Pantheon Books, 1981.

Geduld, Harry. The Birth of the Talkies: From Edison to Jolson. Bloomington: Indiana University Press, 1975.

Goldberg, Roselee. Performance: Live Art 1909 to the Present. New York: Abrams, 1979.

Goldstein, Jack. Fever / Körper / Licht (exhib. cat.). Erlangen: Städtische Galerie, 1985

Gordon, Mel. Dada Performance. New York: PAJ Publications, 1987.

Grayson, John, ed. SoundSculpture. Vancouver: A.R.C. Publications, 1975.

Grossman, Manuel. Dada: Paradox, Mystification and Ambiguity in European Literature. New York: Pegasus, 1971.

Grundman, Heidi, ed. Art and Telecommunication. Vancouver and Wien: The Western Front and BLIX, 1984.

Hanhardt, John, ed. Nam June Paik (exhib. cat.). New York: Whitney Museum of American Art, 1982.

Henri, Adrian. Total Art: Environments. Happenings and Performances. New York: Praeger Publishers, 1974.

Higgins, Dick. Piano Album: Short Piano Pieces, 1962-1984. New York: Printed Editions, 1980.

Higgins, Dick. City With All the Angles: A Radio Play. West Glover: Unpublished Editions, 1984.

Higgins, Dick. Horizons. Carbondale: Southern Illinois University, 1984.

Hitchcock, H. Wiley, ed. The Phonograph and Our Musical Life. New York: I.S.A.M., Monograph No. 14, 1987.

Holmes, Thomas B. Electronic and Experimental Music. New York: Charles Scribner's Sons, 1985.

lhde, Don. Listening and Voice. Athens: Ohio State University, 1976.

Kandinsky, Wassily. Sounds. New Haven: Yale University Press, 1981.

Kaprow, Allan. Assemblage, Environments and Happenings. New York: Abrams, 1966.

Kardon, Janet, ed. Laurie Anderson Works From 1969 to 1983 (exhib. cat.). Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1983.

Kirby, Michael. Futurist Performance. New York: E. P. Dutton, 1971.

Klüver, Billy, Julie Martin, & Barbara Rose, eds. Pavilion. New York: E.P. Dutton, 1972.

Klüver, Billy. E.A.T. Bibliography 1965-1980. New York: Experiments in Art and Technology, 1980.

Kostelanetz, Richard. John Cage. New York: Praeger, 1970.

Kostelanetz, Richard, ed. Text-Sound Texts. New York: Morrow& Co., Inc., 1980.

Kostelanetz, Richard. Conversing with Cage. New York: Limelight, 1988.

Kubisch, Christina, Works 74 / 75. Milano: Giancarlo Politi Editore, 1979.

Leitner, Bernhard. Sound: Space. New York: New York University Press, 1978.

Levy, William & Willem de Ridder. Radio Art. Amsterdam: Gallery'A,' 1981.

Lippard, Lucy, ed. Dadas on Art. Englewood Cliffs: Prentice-Hall, 1971.

Lucier, Alvin & Douglas Simon. Chambers. Middletown: Wesleyan University Press, 1980.

The Machine As Seen At The End of The Mechanical Age (exhib. cat.). New York: The Museum of Modern Art, 1968.

Maciunas, George F. Diagram of Fluxus. Ahus: Kalejdoskop, 1981.

Mackay, Andy. Electronic Music-. Minneapolis: Control Data Publishing, 1981.

Maffina, G. F. Luigi Russolo e I'Arte del Rumori. Torino: Martano Editore, 1978.

Malina, Frank, ed. Kinetic Art: Theory and Practice. New York: Dover Publications Inc., 1974.

Marinetti, F.T. Teoria e Invezione Faturista. Verona: Arnold Mondadori Editore, 1968.

Martin, Marianne. Futuris t Art and Theory. London: Oxford University Press, 198 1.

McAulay, Tony & Sam Krizan. Turbulence (exhib. cat.). Toronto / Stratford: Art Gallery of York University /The Gallery Stratford, 1984.

Melzer, Annabelle. Latest Rage the Big Drum: Dada and Surrealist Performance. Ann Arbour: UMI Research Press, 1980.

Monk, Meredith. Meredith Monk. Seattle: and / or, 1979.

Motherwell, Robert, ed. The Dada Painters and Poets. 2nd edition. Boston: The Belknap Press of Harvard University Press, 1989.

Music Gallery, The Decade: The First Ten Years of The Music Gallery. Toronto: Music Gallery Editions, 1985.

Musical Machines -American Style (exhib. cat.). Washington: The National Museum of History & Technology, Smithsonian Institute, 1971.

Nannucci, Maurizio. Maurizio Nannucci (exhib. cat.). Florence: Vallecchi Editore, 1983.

Nannucci, Maurizio. Maurizio Nannucci (exhib. cat.). Frankfurt: Frankfurter Kunstverein, 1984.

Neal, Charles. Tape Delay: Interviews. Harrow: SAF Publishing, 1987.

Nelson, June Kompass. Harry Bertoia: Sculptor. Detroit: Wayne State University, 1970.

Neuhaus, Max. Sound Installation (exhib. cat.). Basel: Kunsthalle Basel, 1983.

A Noise In Your Eye (exhib. cat.). Bristol: Arnolfini, 1985.

Not Suitable for Framing: Arangements For Sound & Structure (exhib. cat.). Toronto: The Art Gallery at Harbourfront, 1983.

Nyman, Michael. Experimental Music: Cage and Beyond. New York: Schirmer Books, 1974.

1962 Wiesbaden Fluxus 1982 (exhib. cat.). Berlin: Harlekin Art, 1983.

Oliveros, Pauline. Sonic Meditations. Baltimore: Smith Publications, 1971.

Oliveros, Pauline. Software For People: Selected Writings 1963-80. Baltimore: Smith Publications, 1984.

On The Wall / On The Air: Artists Make Noise (exhib. cat.). Boston: MIT, Hayden Corridor Gallery, 1985.

Opalka, Roman. 16 Details aus dem Werk 1965 (exhib. cat.). Krefeld: Kaiser Wilhelm Museum, 1977.

Other Sounds From Belgium (exhib. cat.). Amsterdam: Time Based Arts, 1985.

Page, Tim, ed. The Glenn Gould Reader. New York: Knopf, 1984.

Paik, Nam June. Werke 1946-1976 Musik-Fluxus- Video (exhib. cat.). Köln: Kölnischer Kunstverein, 1977.

Panhuysen, Paul, ed. Echo: The Image of Sound (exhib. cat.). Eindhoven: Het Apollohuis, 1987.

Partch, Harry. Genesis of a Music. Madison: University of Wisconsin Press, 1949.

Reich, Steve. Writings About Music. Halifax: Nova Scotia College of Art & Design, 1974.

Richter, Hans. Dada: Art and Anti-Art. New York: Oxford University Press, 1978.

Rosenboom, David, ed. Biofeedback and the Arts: Results of Early Experiments. Vancouver: Aesthetic Research Centre of Canada, 1976.

Ruscha, Edward. Records. Hollywood: Heavy Industry Publications, 1971.

Russolo, Luigi. The Art of Noises. New York: Pendragon Press, 1986.

Sawyer, David. Vibrations. Cambridge: Cambridge University Press, 1977.

Schaeffer, Pierre. Traite des Objets Musicaux. Paris: Editions du Seuil, 1966.

Schafer, R. Murray. The Tuning ofthe World. New York: Knopf, 1977.

Schafer, R. Murray. Sounds Unseen (exhib. cat.). Vancouver / Stratford: Presentation House /The Gallery Stratford, 1981.

Schwartz, Tony. Media: The Second God. New York: Random House, 1981.

Schwitters, Kurt & Raoul Hausmann. Pin. Giessen: Anabas-Verlag, 1986.

Some More Beginnings (exhib. cat.). New York: Experiments in Art & Technology Brooklyn Museum of Art, 1968.

Sondheim, Alan, ed. Individuals. New York: E.P. Dutton & Co., 1977.

SonicArt (exhib. cat.). San Bernadino: California State College, 1962.

Sound (exhib. cat.). Los Angeles: Los Angeles Institute of Contemporary Art, 1979.

Sound: An Exhibition of Sound Sculpture, Instrument Building, and Acoustically Tuned Spaces (exhib. cat.). Los Angeles: Los Angeles Institute of Contemporary Art, 1979.

Sound /Art (exhib. cat.). New York: Sound / Art Foundation, 1983.

Sound On Paper: Musical Notation in Japan (exhib. cat.). New York: Japan House Gallery, 1981.

Sound Re Visited, Amsterdam: Void Editions, 1987.

Sound = Sight: Three Audio Visual Projects (exhib. cat.). Amsterdam: Stedelijk Museum, 1971.

A Sound Selection: Audio Works By Artist (exhib. cat.). New York: Artists Space, 1980.

Soundl Vision (exhib. cat.). Exeter: Plymouth Arts Centre and Spacex Gallery, 1985.

Soundings (exhib. cat.). Purchase: State University of New York, College at Purchase, Neuberger Museum, 1981.

Soundwave NYC(exhib. cat.). New York: City Gallery, 1986.

A Spoken Space (exhib. cat.). Geneva: Messageries Assocides / Galerie Gaëtan, 1979.

Steegmuller, Francis. Cocteau: A Biography. Boston: Little, Brown and Company, 1970.

Tinguely, Jean. Sculptures and Reliefs 1954-1968. Zurich: Edition Galerie Bruno Bischofberger, 1982.

Tomkins, Calvin. The Bride and the Bachelors: Five Masters of the Avant Garde. New York: Penguin Books, 1977.

Truax, Barry, ed. Handbook for Acoustic Ecology. Vancouver: A.R.C. Publications, 1978.

Vertov, Dziga. Kino-Eye: The Writings of Dziga Vertov. Berkeley: University of California, 1984.

Vincent, Stephen & Ellen Zweig. The Poetry Reading: A Contemporary Compendium on Language & Performance. San Francisco: Morno's Press, 1981.

Viola, Bill. Bill Viola (exhib. cat.). Paris: Musde d'Art Moderne de la Ville de Paris, 1984.

Walker, John A. Cross-Overs: Art Into Pop / Pop Into Art. London: Methuen & Co., 1987.

W.O.R.K.S.C.O.R.E.P.O.R.T. Devon / Calgary: Beau Geste Press / W.O.R.K.S., 1975.

Willett, John, ed. Brecht on Theater. New York: Hill & Wang, 1964.

Wilson, Robert. Robert Wilson: From A Theatre of Images (exhib. cat.). Cincinnati: The Contemporary Arts Center, 1980.

Winternitz, Emanuel. Musical Instruments and their Symbolism in Western Art. New York: Norton, 1967.

Worner, Karl, H. Stockhausen: Life and Work. London: Faber & Faber, 1973.

Young, La Monte, ed. An Anthology of Chance Operations. Munich: Heiner Friedrich Gallery, 1970.

Young, La Monte & Marion Zazeela. Selected Writings. Munich: Heiner Friedrich Gallery, 1969.

Zilliacus, Clas. Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television. Abo: Abo Akademi, 1976.

 

Articles

 

Adorno, Theodor. 'On the Fetish Character in Music and the Regression of Listening.' The Essential Frankfurt School Reader. Andrew Arato & Eike Gebhardt, eds. New York: Urizen Books, 1978.

Adorno, Theodor& Hans Eisler. 'Eye, Ear and the Function of Music.' Marxism and Art. Maynard Soloman, ed. Detroit: Wayne State University Press, 1979.

Adorno, Theodor & Hans Eisler. 'Music and the Film.' Marxism and Art. Maynard Soloman, ed. Detroit: Wayne State University Press, 1979.

Anderson, Laurie. 'Confessions of a Street Talker.' Avalanche. Summer 1985.

Anson, Peter. 'A Conversation with Robert Ashley.' Musicworks 5 (Fall 1978).

Antin, David. 'who's listening out there.' Tuning. New York: Directions, 1984.

Apple, Jacki. 'People Who Sing Songs.'Artweek, January 8, 1983.

Apple, Jacki. 'Joe Frank's Midnight Radio Ramble.'L.A. Weekly, July 25-31, 1986.

Apple, Jacki. 'Words with Wings.'Ear 12, 2 (April 1987).

Art & Language. 'Soft Tape.'Art & Language. Eindhoven: Van Abbemuseum, ig8o.

Banes, Sally. 'The Art of Meredith Monk.' Perft)rming Arts Journal, Spring / Summer 1978.

Benjamin, Walter. 'The Work of Art in the Age of Mechanical Reproduction.' Illuminations. New York: Schocken Books, 1969.

Bennett, M. Vincent. 'Sound, Sounding to Sound: Sound and the Visual Artist.' High Performance 31 (1985).

Berland, Jody. 'Musical Pictures: Art Discourse at the Sydney Biennale.' Fuse, December 1982.

Berland, Jody. 'Re / percussions: Drumming in the Age of Electronic Reproduction.' Impulse Magazine, Spring/ Summer t983.

Bertola, Elena de. 'On Space and Time in Music and the Visual Arts.' Leonardo 5 (1972).

Beyer, Regine, 'Could You Please Repeat the Question.' Ear, 13, 6 (Summer T988).

Bienvenue, Marcella. 'John Oswald: In Between the Stations.' Centerfold, April 1978.

Bounedal, Ole. 'The Sound ofa Murder.' Art & Text 31 (December / February 1989).

Branca, Glenn. 'An Interview with Glenn Branca.' ZG 3 (1981).

Brecht, Bertolt. 'The Radio as a Means of Communication: A Talk on the Function of Radio.' Communication and Class Struggle 2. Liberation, Socialism. Armand Mattelart & Seth Siegelaub, eds. New York: International General, 1983.

Bruinsma, Max. 'Kamen einmal angeflattert ... The Kassel Audiotheque.' Mediamatic 2, 1 (1987).

Brush, Lief. 'Terrain Instruments.' Musicworks 30 (Winter 1985).

Carpenter, Edmund. 'Acoustic Space.' Eskimo. Edmund Carpenter, Fredrick Valery & Robert Flaherty, eds. Toronto: University of Toronto, 1959.

Christgau, Robert. 'Down by Law: Great Dance Records You Can't Buy.' The Village Voice, March 25, 1986.

Concannon, Kevin. 'Artists' Records: Toward a Definition.' Media Arts, Spring Summer 1985.

Concannon, Kevin. 'Sound Sculpture.' Media Arts, Fall 1985.

Concannon, Kevin. 'Sound Sculptures: A Survey of American Works.' Ars Electronica (exhib. cat.). Linz: Ars Electronica, 1987.

Cory, Mark. 'New Radio Drama as Acoustical Art.'Esthetics Contemporary, 2nd edition. Richard Kostelanetz, ed. Buffalo: Prometheus Books, 1988.

Davis, Douglas. 'Art & Technology - The New Combine.' Art in America, January 1968.

Diliberto, John. 'Pierre Schaeffer and Pierre Henry: Pioneers in Sampling.' Electronic Musician, December 1986.

Droffelaar, Josine van. 'Larry Miller: Akkoord.'De Appel i (1982).

Dugvet, Anne-Marie. 'Be a Musician. You'll Understand Video.' National Video Festival (exhib. cat.). Los Angeles: The American Film Institute, 1986.

Durland, Steven. 'Serious Noise' (an interview with Z'ev). High Pelformance 24 (1983).

Durland, Steven. 'The Audio Art of Jacki Apple.' High Performance 28 (1984).

Eno, Brian. 'The Studio as Compositional Tool, Part i.' Downbeat Magazine, July 1983.

Farabet, Rene. 'In The Beginning Was The Ear...' Art & Text 31 (December / February 1989).

Frank, Pete r. 'Fluxus in New York.' Lightworks, Fal I 1979.

Frank, Peter. 'Fluxus / Music: Two Views - A Critics Overview.' LAICA Journal 22 (March/ April 1979).

Frank, Peter. 'The Next Song You Hear on the Radio Might Well be Art.' Art News, December 1981.

Frank, Peter. 'Soundings at SUNY.'Art Journal, Spring 1982.

Frank, Peter. 'Christian Marclay.' Fri-Art: Made in Switzerland (exhib. cat.). Fribourg: Fri-Art, r985.

Frank, Peter. 'The New Monodrama of Diamanda Galas.' Flash Art 125 (December January,1986).

Fraser, Horah. 'Women Composers, Spirituality and Healing.' Musicworks 31 (Spring 1985).

Furlong, William. 'Audio Arts: Retention of the Audial Form.' (an interview with William Furlong). Centerfold, April 1978.

Furlong, William.'Art and Sound'(exhib. cat.). Sydney Biennale, 1982.

Gallez, Douglas. 'Satie's Entr'acte: A Model of Film Music.' Cinema Journal, Fall 1976.

Gervais, Raymond. 'Big Band et Postmodernite.' Parachute 39 (1985).

Goldberg, Roselee. 'Performance: Art For All.'Art Journal, Fall / Winter 1980.

Gould, Glenn. 'The Prospect of Recordings.' High Fidelity, April 1966.

Hadler, Nona. 'Jazz and the Visual Arts.'Arts, June 1983.

Hagen, Charles. 'Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka.' Artforum, May 1985.

Hausmann, Raoul. 'Manifesto on the Lawfulness of Sound.' Form 4 (April 1967).

Heidsieck, Bernard. 'Sound Poetry How?' L =A = N= G= U=A = G= E 4, 1983).

Heijne, Ingemar von. 'Interview with the World Soundscape Project.' Musicworks 9 (Fall 1979).

Hodgkinson, Tim. 'Interview with Pierre Schaeffer.' Re Records Quarterly 2, 1 (March 1987).

Hoffberg, Judith. 'Talking about Artists Making Records' (an interview with Jeff Gordon). High Performance 210 1983).

Hollings, Ken. 'The Condition of Bankruptcy,' Performance Magazine 25 (August September 1983).

Kahn, Douglas. 'The Sound of Music.' Ars Electronica (exhib. cat.). Linz: Ars Electronica, 1987.

Kahn, Douglas. 'The Tradition of Audio Art.' Ear Magazine 11, 5 and 12, (March 1987).

Kahn, Douglas. 'A Better Parasite.' Art & Text 31 (December / February 1989).

Kasemets, Udo. 'After Roaratori.' Musicworks 19 (Spring 1982).

Kogawa, Tetsuo, 'Free Radio in Japan.' Cultures In Contention. Seattle: Real Comet Press, 1985.

Kormer, Anthony. 'Aurora Musicalis' (an interview with Brian Eno). Artforum, Summer 1986.

Kostelanetz, Richard. 'Texts & Proposals for Radio.' Perspectives of New Music, Fall / Winter 1984.

Kubisch, Christina. 'Time into Space / Space into Time: New Sound Installations in New York.' Flash Art 88 / 89 (April 1979).

Kubisch, Christina. 'About my Installations / Sounds.' A Different Climate (exhib. cat.). Düsseldorf: Städtische Kunsthalle Düsseldorf, 1986.

Leed, Eric. 'Voice and Print: Master Symbols in the History of Communication.' The Myths of Information: Technology and Postindustrial Culture. Kathleen Woodward, ed. Milwaukee: University of Wisconsin, 1980.

Lepkoff, Danny and Lisa Nelson. 'Making Sound.' Musicworks 19 (Spring 1982).

Levin, Tom. 'The Acoustic Dimension.' Screen 25, 3 (May / June 1984).

Linder, Rolf. 'Fifty Years of German Radio.' Communication and Class Struggle, Capitalism, Imperialism. Armand Mattelart and Seth Siegelaub, eds. New York: International General, 1979.

Logos Foundation (Moniek Darge & Godfried Willem-Raes). 'Pneumafoons, Dudafoons, Manipulafoons. 'Musicworks 30 (Winter 1985).

Lootsma, Bart. 'Een Doppler-Concert van Peter Zegveld.' De Appel 2 (1985).

Lucier, Alvin. 'The Tools of My Trade.' Contiguous Lines. Thomas Delio, ed. Lanham: University Press of America, 1985.

Lyotard, Jean-Francois. 'Several Silences.' Driftworks. New York: Semiotext(e), 1984.

MacAdams, Lewis. 'Nightclubbing with Burroughs, Giorno & Anderson.' High Performance 16 (Winter 1981 / 82).

Marck, Jan van der. 'George Brecht: An Art of Multiple Implications.' Art in America, July / August 1974.

Marcus, Greil. 'We Are The World?' Re Records Quarterly 1, 4 (May 1986).

Mathews, J. H. 'Sound in Surrealist Cinema.' Language of Surrealism. Columbia: University of Missouri Press, 1986.

McCarthy, Paul. 'The Body Obsolete' (an interview with Stelarc). High Performance 24 (1983).

Mestral, Charles de. 'A Note on Sound Sculpture.' Musicworks 37 (Winter 1987).

Monahan, Gordon. 'The Tidal Rhythm of the Bay of Fundy.' Musicworks 24 (Summer 1983).

Monahan, Gordon. 'Singing Wires: The Music of Aeolian Harps.' Musicworks 30 (Winter 1985).

Monahon, Gordon. 'Stompin' and Beatin' and Screamin" (an interview with Jerry Hunt). Musicworks 39 (Fall 1987).

Monahon, Gordon. 'The Long String Instrument.' (an interview with Ellen Fullman). Musicworks 37 (Winter 1987).

Moore, Steve. 'The Recording Studio as Musical Instrument.' Re Records Quarterly i, i (May 1985).

Morgan, Robert C. 'RPM: The Art Record.' High Performance 17 / 18 (Spring / Summer 1982).

Morrow, Charlie. 'A Voice in the Wilderness: Seance vs. Vision Music.' Big Deal, Fall 1976.

Mortley, Kaye. 'The Sea Is To The East, Then All Around.' Art& Text 3 1 (December/ February 1989).

Mumma, Gordon. 'Four Sound Environments for Modern Dance.' Impulse Magazine, 1967.

Nyman, Michael. 'The Sinking of the Titanic.' Music & Musicians, December 1972.

Nyman, Michael. 'Against Intellectual Complexity in Music.' October 13 (1980).

Nyman, Michael. 'Fluxus and the Experimental Tradition.' Art & Artists, October 1982.

O'Brien, Glen. 'Bop Art.' Artforum, February 1982.

O'Brien, Glen. 'The Original Copy.' Artforum, Summer 1983.

Oswald, John. 'Plunderphonics.' Musicworks 34 (Spring 1986).

Owens, Craig. 'Amplifications: Laurie Anderson.' Art in America, March 1981.

Pearson, Tina. 'Angels & Demons & Pauline Oliveros' (interview with Pauline Oliveros). Musicworks 31 (Spring 1985).

Potamkin, Harry. 'Playing with Sound.' The Compound Cinema. New York: Teachers College Press (Columbia University), 1977.

Radio Art Foundation (Amsterdam). 'Institute for Invisible Language: All Chemix Radio Series.' Sound Choice 8 (May / June 1987).

Ratcliff, Carter. 'Looking at Sound.' Art in America, March 1980.

Ratcliff, Carter. 'Max Neuhaus: Aural Spaces.'Art in America, October 1987.

Rayer, Robert. 'Non-Music.' Musicworks 18 (Winter 1982).

Rhea, Tom. 'Photo-electric Instruments.' The Art of Electric Music. Greg Arrnburster, ed. New York: Quill, 1984.

Rieger, John H. 'Artifacts.' Ear 11, 5 and 12, 1 (March 1987).

Rilke, Rainer Maria. 'Primal Sound.' Rodin and Other Prose Pieces. New York., Quartet Books, 1986.

Robertson, Clive. 'Industrial Records.' Fuse, Supplement 1980.

Robertson, Clive. 'The Means of Mixed Production.' Fuse, February / March 1982.

Rokeby, David. 'Dreams of an Instrument Maker.' Musicworks 30 (Winter 1985).

Ruppenthal, Stephan & Larry Wendt. 'Vocable Gestures: A Historical Survey of Sound Poetry.' Art Contemporary 9 (1977).

Schaeffer, Pierre. 'Sound and the Century: A Socio-Aesthetic Treatise.' Vanguard, February 1980.

Sch6ning, Klaus. 'The Play's the Tbing.' Ear 11, 5 and 12, 1 (February / March 1987).

Sherman, Tom. 'Music From the Death Factory.' Centefold, October / November 1979.

Simon, Douglas. 'Interview with Alvin Lucier.' Big Deal, Fall 1976.

Sington, Derrick & Arthur Weidenfeld. 'Broadcasting in the Third Reich.' Commitnication and Class Struggle 1. Capitalism, Imperialism. Armand Mattelart & Seth Siegelaub, eds. New York: International General, 1979.

Sondheim, Alan. 'Laurie Anderson: Procedure and Text.' Parachute 14 (Spring, 1979).

Spiegel, Judith. 'Chaos & Order: A Skeletal History of Experimental Music.' High Performance 31 (1985).

States, Sarah Taylor. 'Laurie Anderson.' Reallife, Winter 1982 / 83.

Tannenbaum, Rob. 'A Meeting of Sound Minds: John Cage and Brian Eno.' Musician Magazine 83 (September 1985).

Tedlock, Dennis. 'Phonography and the Problem of Time in Oral Narrative Events.' Spoken Word and the Work of Interpretation. Philadelphia: University of Pennsylvania, 1983.

Thomson, Pat. 'Music for Television: An Interview with Robert Ashley.' Wedge 2 (Fall 1982).

Thornton, N.G. 'Consider The Idea of Sound.' MusicworkS 20 (Summer 1982).

Tomkins, Calvin. 'Max Neuhaus.' TheNew Yorker, June 5, 1978.

Truax, Barry. 'The Listener.' Musicworks 35 (Summer 1986).

Trotsky, Leon. 'Radio, Science and Society.' Communication and Class Struggle 2. Liberation, Socialism. Armand Mattelart & Seth Siegelaub, eds. New York: International General, 1983.

Varése, Edgard. 'The Liberation of Sound.' Contemporary Composers on Contemporary Music. Elliot Schwartz & Barney Childs, eds. Holt, Rinehart & Winston, 1967.

Wagner, Judy K.Cullischan van. 'Sound Art.' Arts Way, September 1984.

Wendt, Larry. 'Sound Poetry: 1. History of Electro-Acoustic Approaches, 11. Connections to Advanced Electronic Technologies.' Leonardo 18, 1 (1985).

Westerkamp, Hildegard. 'Wilderness Lake: An Interview with R. Murray Schafer.' Musicworks 15 (Spring 1981).

Westerkamp, Hildegard. 'Composing with Environmental Sounds.' MusicworkS 26 (Winter 1984).

Westerkamp, Hildegard. 'Acoustic Ecology and the Zone of Silence.' Musicworks 3 1 (Spring 1985).

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