In Kitchen Girl, Trecartin's frequent collaborator Lizzie Fitch throws herself into a state of total hysteria, portraying a girl who takes the childhood game of "playing house" to a dark and disturbing place. After pretending to cook dinner for her "kids," represented by colorful plush toys, she finds them lacking in appreciation of her efforts and throws them out the window. Fitch's overwrought performance is perfectly matched by Trecartin's skillful, hyperkinetic editing. Together they turn Trecartin's kitchen into a dimly lit world of mental trauma. Combining the innocuous with the malevolent, Fitch and Trecartin escort the viewer on a whirlwind tour of household dysfunction, child abuse, and isolation. -- Electronic Arts Intermix
This title is available for exhibitions, screenings, and institutional use through Electronic Arts Intermix (EAI), NY. Please visit the EAI Online Catalogue for further information about this artist and work. The EAI site offers extensive resources for curators, students, artists and educators, including: an in-depth guide to exhibiting, collecting, and preserving media art; A Kinetic History: The EAI Archives Online, a collection of essays, primary documents, and media charting EAI's 40-year history and the early years of the emergent video art scene; and expanded contextual and educational materials.