Hill's early formalist works explore the manipulation of electronic color and image density. Of these works, Hill has written that "much of the subject matter and the expressionistic method of working underline and in some sense parody the traditional medium of painting." In the silent Mirror Road, Hill creates an increasingly abstracted harmony of landscapes in layered compositions of movement.
This title is available for exhibitions, screenings, and institutional use through Electronic Arts Intermix (EAI), NY. Please visit the EAI Online Catalogue for further information about this artist and work. The EAI site offers extensive resources for curators, students, artists and educators, including: an in-depth guide to exhibiting, collecting, and preserving media art; A Kinetic History: The EAI Archives Online, a collection of essays, primary documents, and media charting EAI's 40-year history and the early years of the emergent video art scene; and expanded contextual and educational materials.