John Cage 1912-1992
Catch 44 (1971)
1971, 39:15 min, color, sound
Catch 44, co-produced by Nam June Paik, fuses Cage's compositional precepts with the immediacy and real time of video. Cage is seen performing and preparing for the program "WGBX: A Telecast for Composers and Technicians," presented by the Boston public television station WGBX-TV (Channel 44). Subverting audience expectations and underlining Cage's belief that improvisation is a critical element of composition, here the act of scoring music becomes the performance. For Cage, whose work embraces paradox, the ambient noise of the broadcast studio and the alternation of sound and silence determine the nature and direction of the performance from moment to moment. Through his use of repetition, absurdity, found sound and silence, Cage compels the audience to rethink traditional assumptions of musical theory and composition. -- EAI
Director: David Atwood. Produced by WGBH. Producers: Henry Becton, Nam June Paik.
This title is available for exhibitions, screenings, and institutional use through Electronic Arts Intermix (EAI), NY. Please visit the EAI Online Catalogue for further information about this artist and work. The EAI site offers extensive resources for curators, students, artists and educators, including: an in-depth guide to exhibiting, collecting, and preserving media art; A Kinetic History: The EAI Archives Online, a collection of essays, primary documents, and media charting EAI's 40-year history and the early years of the emergent video art scene; and expanded contextual and educational materials.
Catch 44, co-produced by Nam June Paik, fuses Cage's compositional precepts with the immediacy and real time of video. Cage is seen performing and preparing for the program "WGBX: A Telecast for Composers and Technicians," presented by the Boston public television station WGBX-TV (Channel 44). Subverting audience expectations and underlining Cage's belief that improvisation is a critical element of composition, here the act of scoring music becomes the performance. For Cage, whose work embraces paradox, the ambient noise of the broadcast studio and the alternation of sound and silence determine the nature and direction of the performance from moment to moment. Through his use of repetition, absurdity, found sound and silence, Cage compels the audience to rethink traditional assumptions of musical theory and composition. -- EAI
Director: David Atwood. Produced by WGBH. Producers: Henry Becton, Nam June Paik.
This title is available for exhibitions, screenings, and institutional use through Electronic Arts Intermix (EAI), NY. Please visit the EAI Online Catalogue for further information about this artist and work. The EAI site offers extensive resources for curators, students, artists and educators, including: an in-depth guide to exhibiting, collecting, and preserving media art; A Kinetic History: The EAI Archives Online, a collection of essays, primary documents, and media charting EAI's 40-year history and the early years of the emergent video art scene; and expanded contextual and educational materials.